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. For men of experience know that the thing is
so, but do not know why, while the others know the 'why' and the
cause. Hence we think also that the masterworkers in each craft are
more honourable and know in a truer sense and are wiser than the
manual workers, because they know the causes of the things that are
done (we think the manual workers are like certain lifeless things
which act indeed, but act without knowing what they do, as fire
burns,-but while the lifeless things perform each of their functions
by a natural tendency, the labourers perform them through habit); thus
we view them as being wiser not in virtue of being able to act, but of
having the theory for themselves and knowing the causes. And in
general it is a sign of the man who knows and of the man who does
not know, that the former can teach, and therefore we think art more
truly knowledge than experience is; for artists can teach, and men
of mere experience cannot.
Again, we do not regard any of the senses as Wisdom; yet surely
these give the most authoritative knowledge of particulars. But they
do not tell us the 'why' of anything-e.g. why fire is hot; they only
say that it is hot.
At first he who invented any art whatever that went beyond the
common perceptions of man was naturally admired by men, not only
because there was something useful in the inventions, but because he
was thought wise and superior to the rest
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