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They went down a hole at the dark end of a ruined passage, the boy being forced to go first. They crawled over shards and rubble and came into a night-black but smooth corridor. Down again . . . and they were in the performers' barracks of the old amphitheater, under the old arena.
They came in the dark to a well-carpentered door. Baslim shoved the boy through, followed him and closed it, pressed his thumb to a personal lock, touched a switch; light came on. "Well, lad, we're home."
The boy stared. Long ago he had given up having expectations of any sort. But what he saw was not anything he could have expected. It was a modest decent small living room, tight, neat, and clean. Ceiling panels gave pleasant glareless light. Furniture was sparse but adequate. The boy looked around in awe; poor as it was, it was better than anything he remembered having lived in.
The beggar let go his shoulder, hopped to a stack of shelves, put down his bowl, and took up a complicated something. It was not until the beggar shucked his clout and strapped the thing in place that the boy figured out what it was: an artificial leg, so well articulated that it rivaled the efficiency of flesh and blood. The man stood up, took trousers from a chest, drew them on, and hardly seemed crippled. "Come here," he said, in Interlingua.
The boy did not move. Baslim repeated it in other languages, shrugged, took the boy by an arm, led him into a room beyond
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